Four More Broken Elements

by staplerfahrer

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1.	The Mathematics Of Necessity 13:27	buy track
2.	Florid Perversions 10:01	buy track
3.	Wissant 07:38	buy track
4.	Kapotte Muziek By... 12:35	buy track

about

THE MATHEMATICS OF NECESSITY refers to a time and place in his old studio space in an abandoned publishing house that eventually got evicted and demolished. Before De Turck had to move out he made lots of field recordings to capture the acoustic qualities of the abandoned rooms and its left behind objects. This piece celebrates their individual properties and creates an unlikely orchestra of car wheels, a chandelier, a turntable, a printer and other members.

FLORID PERVERSIONS is the finished result of an unfinished art project. Once again an abandoned building, this time given away to art students as creative playgrounds. With his partner, Leilani Trowell, the two executed a ballet of life and death in this overgrown and vast garden of the house.

WISSANT is the most recent piece of music on this album. It was recorded in the town of the same name on the French coast during the gloomy days before Christmas. Armed with cheap casio’s and excellent wine, this drowsy drone was born.

With Wissant as the newest, KAPOTTE MUZIEK BY… is surely the oldest track on this album with its source material dating back to 2007, when Kapotte Muziek (Frans de Waard, Peter Duimelinks and Roel Meelkop) gave away an acoustic performance during the Incubate festival in Tilburg, The Netherlands. "Kapotte Muziek by..." started out as a series of releases with reworked recordings of Kapotte Muziek by specific composers. This version by staplerfahrer took about seven years to complete and is N° 15 in the series.

credits

released March 1, 2015

All tracks performed, recorded and mixed by Steffan de Turck
steffandeturck@gmail.com

Photo: Horror vacui (the fear of empty space) by Alejandro Almanza Pereda

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about

staplerfahrer Tilburg, Netherlands

In the early nineties I started creating “noise-machines” by circuit bending turntables, amplifiers, radios and other audio equipment. In 1995, I started releasing this noise using the name “aMP”. 2003 saw a change of name into “staplerfahrer” bringing along a change in sound: less harsh rhythmic noise and more elements of microsound, field recording, drone and musique concrete. ... more

staplerfahrer.nl

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